Window display
12x9 oil on panel. Something i saw. just basically put a flower box there and cant remember if there were shutters. Out does a rifle or a shotgun.
If he painted the Rhine
10x12 oil on panel. There is a myth out there about Hitler being a failed painter. should have stuck with it. found this picture in a WWII book and made him back into a painter.
Found class picture
23x34 oil on canvas. i found a yearbook on a stoop in Brooklyn. There isn't a yearbook out there that hasn't been graffitied by its owner. The kid in the front row got it and i tried to figure why but have no answers other than the painting.
no ice
oil on panel 29x45. This was last year. no ice. my cousin still hoping to skate. It was cold. a thin skim. and then another thaw. maybe this year.
debris from the future
My rock series. The title "debris from the future" comes from Dan Joy. A description he made of a sculptor's work featured in a New York Times article. It was this large outer space looking stuff, like Nasa's future trash. I can't say how i decided rocks are the closest thing to the absence of life but that's what they spoke. Yet at the same time possibly permanent holders of previous life. Most of the objects i choose to paint in the beginning seemed to have lost their contemporary function, had become outmoded- hence the removal of the objects "on" button, switch, or crank part and its attachment to a rock... but the work evolved to be sort of fossil records of the brief usefulness of about all we make. I like also the idea of a painting being useless (not functional)- After Guy Clark's song, "stuff that works". The work is shown sort of in the order of making- the meat grinder was my first of the series and the speedboat the last so far. Searching the internet, I found pictures of Aboriginal Australian rock paintings documenting colonization up to that of cruise ships. I could paint more of these. There are a lot of things to paint. I found this series to be interesting because it allowed my ideas to develop from one painting to the next and in the end rocks had some life.
6 gun
6x9 oil on panel. with this painting i decided i wanted more than just a turning crank and decided the rock was gun like in shape.
night light
4x5.75 on panel. i got started on this painting during Sandy and the power went out and i got my headlamp on and continued. the power came back on but i turned the lights off and went on with the headlamp illumination.
wearing a big head
I found the finger puppet at the dump's free shop and i became really excited when it fit the yellow t-rex. Sometimes everything falls into place. oil on panel 8x6.5.
for my aunt Lucy and uncle Ed
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| 10x8 oil on canvas. |
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| 8x10 oil on canvas. |
when one door is closed
10x12 oil on panel. matchbox in front of dollhouse door. An artist has to be in it for the long haul...
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